Tag Archives: activism

I’m not coming to the revolution unless there’s dancing

On Sunday it was a joy to come together with the Brothers Gillespie and a room (not just any room – a room that could have been a ballroom in a Tolstoy novel…) full of lovely people for our Earthwords poetry and music event.  I only realised just before we took the floor that it was the first time I’d done a live reading since February 2020. It took me a while to warm up, but I soon settled in and remembered why I do what I do – and love it.

Many of us are feeling such sorrow and grief, guilt and shame, loss and disappointment at the state of the world that it’s easy to feel broken and powerless.  Coming together to listen and reflect in a space of music, sung and spoken, creates stillness enough to reconnect with our own agency and creativity, as well as with each other.  The work of staying with the trouble, trying to be open to what the climate and ecological crisis is asking of us, is demanding and exhausting at whatever scale we choose to be involved.  Even simple day-to-day living can put more pressure on us than we feel we can bear.

Sunday night was a chance for regeneration and reconnection via the traditional pleasures of poetry and song.  There was a vivid sense of community and I had a feeling that everyone there together created a healthy mycelium network, intent on planetary survival and ecological well-being.  This has the power to spread beyond Tolstoy’s ballroom – into all the nooks and crevices and conversations and exchanges of our lives.

For me, the event was an important celebration of work done so far – my own small efforts and what I witnessed in Glasgow.  Although the final agreement was disappointing – needing to be much bolder and more urgent – progress was made.  The powerful presence and persistence of the coalition of protesters percolated through the security barriers into the negotiations.  Their demands, though not addressed, were at least acknowledged: that sort of energy and sheer numbers are impossible to ignore.  The coordinated network of movements are intent upon keeping up the pressure between now and the next UNFCCC Summit in Egypt in 2022.  We must all do whatever we can to support them – practically and financially.  The climate emergency can’t be addressed by good intentions alone.

Listening to James and Sam’s beautiful music so rooted in the land I love affirmed my wish to do whatever is necessary to protect it from harm.  Isn’t that what humans do?  Why we take care of babies and young children – because we love them?  Those stories of people who find remarkable strength and capacity inside themselves when faced with an emergency and someone needs saving – isn’t it that sort of wild buried energy that we need to tap into now?

A crisis is also an opportunity.  Transformation is never easy – change and evolution involves pain and confusion.  Aren’t we all familiar with that jangly energy that’s in the air all around us and inside us just now?  I certainly am – especially after a couple of years of deep immersion in this radical process.  Maybe we can try to breathe it in, not brace ourselves against it.  This chaos is also part of us and part of a moving towards a new way of being that we’re having to learn – and can also find pleasure in.

At certain points on Sunday night I was reminded of the marches in Glasgow.  On the Saturday Global Day of Action march and rally there were lots of wonderful musicians – brass bands, salsa bands and drummers.  Their playing kept everyone moving forward in rhythm, warmed and encouraged by the vibrant sound.  You could feel it in your whole body.  Every now and again the bands would have to stop because people started dancing amid the crowds – a spontaneous, freeform, joyful surrender to the music, their companions and the crowds that was incredibly moving to witness.  I watched from the sidelines but I was dancing inside.

Emma Goldman said ‘I’m not coming to the revolution unless there’s dancing’ – a quote I used as an epigraph for my first collection, Red, in 1992.  Didn’t the soldiers in the trenches in WW1 sing together?  Which reminds me of another quote, from Martin Luther King Junior: ‘Those who love peace need to learn to mobilise as effectively as those who love war.’  As we gird ourselves for the long haul that is facing transition, risk and chaos and supporting those in other parts of the world as they face greater suffering, we must remember what we love and what music we want playing while we love it and as we march, dig, plant, sign petitions, make banners, lobby parliament, write poetry, knit blankets or dance – whatever your body feels moved to do

There’s more to say about where poetry and music touch and maybe I’ll try to say it sometime.  One of the places is silence – they both join opposites and make it possible to be more ourselves, capable of more than we sometimes think.  Immense gratitude and appreciation to all the musicians who played for us in Glasgow and to the Brothers Gillespie for where they took us on Sunday night.

The Brothers Gillespie are currently crowdfunding for their third album The Merciful Road.  If you would like to support them and be part of another healthy mycelium network, you can find the details here.  There are lots of very affordable pledges offering the chance to be one of the first to receive a copy of the album, either downloadable, on CD or vinyl – or, for a little more, have your very own song written for you or a whole ceilidh band to play for a special occasion. Meanwhile you can hear more from them on their website.

  

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On Fire!

Episode 4 – Fire of In Our Element – a poet’s inquiry into climate change is now available. This one includes a wonderful poem called ‘The Gate’ from the Welsh language poet Menna Elfyn about a shockingly recent mining disaster and the memories and associations it evoked for her. I really enjoyed my conversation with Menna, a longtime activist and force to be reckoned with.

We also hear from local folk band the Brothers Gillespie. They came up to my place one Sunday this summer to play and sing in my garden – attracting the vocal attention and admiration of the field full of cows. ‘Tina’s Song’ tells the story of Tina Rothery, co-founder of the Nanas, a campaigning group of concerned grandmothers protesting against fracking in Preston New Road, Lancashire several years ago. She was taken to court and fined £55,000 by mining firm Cuadrilla for simply taking part in a peaceful protest and finally found not culpable and released with no charge.

On November 21st The Brothers Gillespie and I will be back together for an event called Earthwords for Hexham Book Festival’s outreach programme. They’ll be singing some more of their beautiful songs rooted in the Northumbrian landscape and I’ll be reading some recent poems, inspired by a new relationship with my local patch during last year’s lockdown – work in progress from my Writing the Climate residency. You can find more details and book a ticket here.

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It’s been very exciting to see these podcasts rippling out after such a long period in production, broadcast by Resonance FM and several other community radio stations and also available on most podcast platforms. Each episode takes an element as a starting point to explore the complexity and challenges of this critical time: Earth, Water, Fire and Air; with, from the Chinese tradition, Wood and Metal; as well as Space and Consciousness, elements that feature in some Buddhist practices.  Investigating these help all the contributors – activists, engineers, conservationists, academics, thinkers, poets and musicians from around the world – find common ground to deal with difficult subjects arising from the Climate Crisis.

We’ve already heard from organic gardener and compost expert Andrew Davenport in the Earth Episode, alongside US poet Jorie Graham and Canadian Climate Justice professor Deborah McGregor. And in the Water episode Nancy Campbell, Charmaine Papertalk Green and Suzanne Dhaliwal. All the contributors pop back in later episodes with more to add on some other element. I’ll say more about the contributors to Air, Wood, Metal, Space and Consciousness – and our final episode Regeneration – later. This is still all quite fresh and certainly a very new medium for me so I’m still assimilating and figuring out what this many-headed creature is that I’ve made, working with the talented audio producer Philippa Geering of Sonderbug Productions in York.

As protest or praise, music is almost another element in itself, with contributions not just from the Brothers Gillespie but also from Joshua Green, with his specially commissioned signature song and a gorgeous setting of my cuckoo poem (look out for it in Episode 9 – Consciousness), as well as Una and Freya, two small girls who added their own big voices to the Fridays for the Future School Climate Strike in September 2019.

Talking with all these thoughtful and engaged people left me with a sense of faith in humanity’s capacity to transform our current suffering into a more sustainable future. It’s important to remember there is great power in what we make together – active hope – whether that’s an engineering system, a protest against so-called development or a song or a poem dedicated to a bird or a tree – or even a United Nations summit.

Do listen in – and let me know in the comments below what you think, what these poems, thoughts and music stir in you.

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