Tag Archives: books

For Your Diary…

A couple of events I’m involved in coming up that folk might be interested in attending – and news of a big 25% discount at Arc that’s worth a look.  I like the idea of Reading the Flowers wrapped up under people’s Christmas trees.  Here’s a link.

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Then, this coming Monday – from the NCLA website…

ncenla_279273Flambard Poetry Prize Announcement 

Join us for the announcement of the 2016 Flambard Poetry Prize, followed by readings from this year’s judges Linda France and Andrew Forster.

Linda France has published eight poetry collections since 1992, including The Gentleness of the Very Tall (a Poetry Book Society Recommendation), The Toast of the Kit Cat Club, book of days and, her most recent, Reading the Flowers (Arc 2016). She also edited the ground-breaking anthology Sixty Women Poets (Bloodaxe 1993). Her poem ‘Bernard and Cerinthe’ won First Prize in the 2013 National Poetry Competition. Linda’s work has appeared in anthologies, magazines, newspapers, on radio and TV, in public art installations and other collaborations with visual and sound artists.  

Andrew Forster published two collections of poetry with Flambard Press: ‘Fear of Thunder’ (2007) and ‘Territory’ (2010), and, more recently, ‘Homecoming’ (2014), with Smith Doorstop. ‘Fear of Thunder’ was shortlisted for the 2008 Forward Prize for Best First Collection and two poems from it, ‘Horse Whisperer’ and ‘Brothers’, appeared in the AQA GCSE syllabus. ‘Homecoming’ was shortlisted for the Lakeland Book of the Year in 2015 and was a ‘Read Regional’ title for 2016. He has read his work at events and festivals throughout the UK and Europe, and as part of the annual ‘Poetry Live’ series, alongside Carol Ann Duffy, Simon Armitage and John Agard.

This event is free – all very welcome.

Location: Newcastle University, Percy Building, G.05

Time/Date: 28th November 2016, 18:30 – 20:00

Andrew and I enjoyed judging this valuable competition for poets without a full collection to their name (yet) and look forward to announcing the winners and hearing them read with us.

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And down in Leeds, in a week or so…

Public Poetry Please!

leeua_1982-009_02Quentin Bell’s The Dreamer

Date: Wednesday 7 Dec 2016

Location: The Stanley & Audrey Burton Gallery

Time: 17:00 – 18:30

Join us for an exciting evening with award-winning poets who’ve participated in the Yorkshire Year of the Textile and responded to items from our collections.

Public Poetry Please! will be an exciting evening with the poets who’ve participated in the Yorkshire Year of the Textile and responded creatively to items relating to Yorkshire’s textile heritage.

Public poetry has been a key theme for the year-long celebration, and this special event celebrates new commissions. The evening will include readings by Malika Booker, Douglas Caster Cultural Fellow at the University of Leeds; Linda France, Creative Writing Fellow at the School of English; Helen Mort, former Douglas Caster Cultural Fellow at Leeds and  Lecturer in Creative Writing (Poetry) at Manchester Writing School; Rommi Smith, Hedgebrook Fellow and Kate Fox, stand-up poet, writer and comedian.

Highlights from the programme include a reading of Malika Booker’s poem ‘There is an etiquette to everything’, which draws inspiration from John Russell’s pastel portraits of the textile magnate, John Marshall and his wife Jane (now prominently displayed in the Gallery).  Helen Mort will read her new commission responding to Mitzi Cunliffe’s Man-Made Fibres, and her poem, ‘Texere’, which is incorporated into a newly-installed public art pavement response to the Man-Made Fibres sculpture by Sue Lawty. You can also hear Linda France’s response to William Gott’s Dyehouse Pattern Book, currently on display in the Treasures of the Brotherton Gallery.

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The evening also gives an opportunity to highlight the co-creation of poetry in our knit/lit workshops, where poets reflected on the role of textiles in daily life and encourages recollections by participants of the workshops.

The event will be chaired by Professor Ann Sumner, Head of Cultural Engagement.

This is a free event but spaces are limited so booking is essential.

Book your place here: https://publicpoetryplease.eventbrite.co.uk

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Austin Wright’s Limbo

Always a pleasure to read as an ensemble, particularly when there’s a shared theme – this should be a fascinating evening.

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Flower, Flower, Flower

Just returned home from a wonderful trip to Glasgow where there seemed to be flowers everywhere we went…

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at the Tramway’s beautiful hidden gardens

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and the lovely Botanics

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in Kibble Palace

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to this – my new collection!  Hooray!  Spring is here!

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Other People’s Books

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Other people’s books on the subjects one is writing about oneself are annoying sometimes, because if one has read them one must avoid saying the same things, and if one has not read them and say the same things readers think one has copied, and when one’s own book comes first, the books that come after it have either copied from it or not copied from it, and when they have copied they get the credit, as readers have forgotten who wrote it first, and when they have not copied they seem to be despising it and to be saying the opposite. It would be better if only one writer at a time wrote on each subject, but this cannot be, and when the subject is a country it would be unfair, as people rely on writing to get them about abroad and let them take money to spend there.

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At the present time, a great many writers are interested in seeing Turkey, and on account of this many of them are writing books about it, and this has to be put up with. Aunt Dot’s Turkey book, which I was illustrating and in which I was putting bits, would not be like anyone else’s really, as it would be mostly about the misfortunes of Moslem women…But my bits would be about the scenery and churches and castles and ruins and towns, and these had already been so well done lately that I should have to be very careful. The trouble with countries is that, once people begin travelling in them, and people have always been travelling in Turkey, they are apt to get over-written, as Greece has, and all the better countries in Europe, such as Italy and France and Spain. England has not been over-written, at least not by foreigners, on account of it’s not being very attractive, what with the weather and the Atlantic Ocean and the English Channel and the North Sea and the industrial towns and not having many antique ruins, but above all the weather, for no one from abroad can stand this for long, and actually we can’t stand it for long ourselves, but we have to.

From ‘The Towers of Trebizond’ by Rose Macaulay (1956)

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Poetry Cures


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Back in 1995 when I fell off a horse called Pandora and broke my back, I spent a long time in hospital and then recovering at home. Julia Darling, no stranger to illness and hospitals herself, wrote me a poem about the art of convalescence, later illustrated by Birtley Aris. It’s one of my favourite mementoes of our long friendship.

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Poetry is one of the best medicines – for all manner of predicaments – especially when all else fails.  Ten years after Julia’s death, there are currently lots of opportunities to celebrate her life and remember her fantastic energy and unique contribution to writing in the North East, and beyond.

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On Friday evening (29th May), there will be a reading at the Great North Museum to commemorate The Poetry Cure, an anthology of health-related poems Julia edited with Cynthia Fuller.  The wonderful image on the cover is a painting by one of Julia’s collaborators,  Emma Holliday.  Some new poems have been commissioned in the spirit of that book and a selection of Julia’s own work will also be read.  The event’s sold out but it’s being live streamed (6 – 8pm BST).  You can find the link here.

Various other exciting events are taking place and updates are available at a beautiful new website, designed specially for the occasion.


May we all be well.  May there be poems.

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New Shoots

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For some reason the rabbits seem to be letting my spring bulbs alone this year.  I’d planted everything in pots for easy removal if necessary but, touch wood, no sign of damage so far.  It’s very heartening to see some colour up here after our long subdued winter.  And the sunshine these past few days has softened the blow of returning from Rome and missing its irrepressible light and crumbling grandeur – an unequivocal primavera.

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Some bright new things to let you know about – a couple of readings and a new digital publication.

On Thursday 30th April at 1pm I will be reading from another wild at the Robinson Gay Gallery in Hexham for the Book Festival.  My collaborator, the artist Birtley Aris, will be there and Sue Dunne will be playing the Northumbrian pipes.  The Gallery will be showing some of Birtley’s original drawings for the book.

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At Burnlaw Centre in Whitfield, near Allendale, on Friday 1st May, three of us will be reading from and talking about our new books connected with the land – Malcolm Green, Peter Please and myself.  It starts at 7.30pm and it is rumoured there will be copious quantities of tea and cake.

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Mslexia magazine have just launched the first in a new series of e-books.  Poetic Forms is a revised and extended collection of a sequence of articles on the crafting of fixed forms commissioned back when the magazine started in the late 1990s.  A lot of people have told me how useful they’ve found these pieces and I have continued to use them in workshops and tutorials so I’d definitely recommend you download a copy if you’re at all interested.  A second e-book based on my First Principles series will be available next month.  You can find out more here.

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An Unfinished Story

Living, as distinct from literary, speech is continually interrupted, and there is never a single thread.

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What can happen in twenty-four hours may outlast a century.

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Silence can be like a hand extended.  (Or, of course, under different circumstances, a hand cut off.)

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Write by hand with a knuckle bleeding.  Like this blood underlines some of the words.

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Every story is about an achievement, otherwise there’s no story.

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Hope today is a contraband passed from hand to hand and from story to story.

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from John Berger’s Bento’s Sketchbook (Verso 2011)

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