Tag Archives: music

Knowing Our Place

IMG_E6426.jpg

I had no idea that the Barbican had a Conservatory  – or a Library until a few weeks ago when I found myself there, reading at a launch of Issue 18 of Long Poem Magazine.  It was a friendly affair, surprising and happily sprawling like the unsung long poems and sequences the magazine does a wonderful job in drawing attention to.  We were tucked away in the Music Section, a niche of hidden delights.

IMG_6433.jpg

I particularly enjoyed hearing Katharine Pierpoint read her poem Camelopard, trying (and succeeding) to catch the giraffeness of the giraffe and Anna Reckin’s graceful evocation of various emanations of Jade.  Also Alex Bell’s epistolary Dearest, lurking in the shadows of Victoriana, as did my own contribution – A Hundred Ways to Know Our Place.

When I was younger and a touch adrift I often read self-help books to check my bearings.  Most of them have migrated from my shelves now (apart from a few classics like Dorothy Rowe on depression and Buddhist angles on anxiety) but I was interested to trace a clear line of connection between those and the beginnings of the genre in the 19th century.

images.jpeg

A Hundred Ways to Know Our Place is part of new work I’m writing for my PhD, an overture to a book-length piece.  If you’re interested in reading it and other longer poems and sequences, I’d point you in the direction of Long Poem Magazine, edited with passion and insight by Linda Black and Rose Hamilton.

IMG_6661.jpg

Etiquette books also fascinate me.  It’s hard not to be braced by their arbitrary sharpness, like eating a particularly arcane olive.  Possibly after a long soak in a dirty martini.  Some Russian visitors I had once called that sort of snifter a ‘walking stick’, to be taken before leaving the house for any reason.  And in the right quantity (although this is hard to gauge) it can rinse the senses wonderfully.  Isn’t that what we want reading a poem to feel like?  To ‘take reality by surprise’, in Francoise Sagan’s phrase.

And so back to music (always)…My senses didn’t know what had hit them watching and listening to Ukrainian ensemble Dhaka Brakha perform at the Sage last week.   And it was a performance, highly choreographed and styled with stunning costumes riffing on traditional styles, as did the music that playfully transforms folk songs from their beleaguered motherland into something almost miraculous.  I was transported, utterly enchanted, and continue to be so listening to their latest CD the road.  Dhaka Brakha ‘know their place’ and invite us to spend some time there.  Foolish to refuse.

Down in London, I can sometimes feel like a bit of a country cousin.  Walking from the Tube station to the Barbican, I was very excited to see a plant breaking up the clean lines of the long tunnel of the Bridgewater Highwalk.  It wasn’t going to be told where it could grow and where it couldn’t, what freedom means.

IMG_6416.jpg

Knowing our place is no easy matter – fierce, transgressive, and extremely quiet, it must take the risk of being there, doing it for ourselves.

IMG_6438.jpg

 

 

Advertisements
Tagged , , , , , , ,

November

photo 2

On Thursday we gathered at the Queen’s Hall in Hexham to launch another wild – a new edition of a pamphlet published ten years ago under the title wild.  There was a mix-up between the publishers and the printers so it came back with much thinner paper and cover than expected but the small print run quickly sold out.  We always hoped we might work on another edition and now, with a beautiful new re-design by Melanie Ashby, here it is…

photo

In 2002, the artist Birtley Aris and I sought out a wild flower each month in different places around the north-east of England.  This is from the original introduction:

We were interested in ordinary, less well-known spots as well as more obvious landmarks; the surprising uncontained spaces in towns and cities as well as the rural environment.

Inspired by the reverberations of wild, we wanted to seek out and celebrate that particular quality of North – an autonomous identity, the open spaces, resilient flora and fauna, unfolding seasons, relatively sparse population and unequivocal weather.

From the start we envisaged setting the large-scale context of landscape alongside the miniature world of wild flowers. Some months we had an idea of the flower we were looking for; others we left it to chance, waiting to see what was growing.

photo 3

For the new version we have included eight more poems that pick up the themes of wild and take them somewhere else – looking at light, energy, memory and belonging.  They are introduced by this wonderful quotation from Pico Iyer:

Love is a wildness that has been falsely domesticated.

We were very lucky to have Morag Brown playing the violin for us, her wild northern tunes creating just the right atmosphere and bringing us all together in a celebration of place and this new work in print.

If you missed it, there’ll be another chance to hear some of the poems and buy the book at the Lit & Phil in Newcastle on Thursday 4th December, 7pm.  No need to book – all welcome.

Mugwort

 

Who could say exactly where a river

shifts shape into sea? Where current collides

with tide? On the pier’s stone slopes, mugwort

grows in spite of the salt and the weather:

who could say where its black becomes brown

becomes silver-grey? Today everything

is edgeless and strange. Even the spray

from the waves battering the southern jetty

bursts in the air like fireworks: a negative

framed by the window of the Bungalow Café.

Dirty glass catches the blur of what

could be a man, crouching to make a sketch

of mugwort fronds, like alchemical wands,

chancing their silver. Although, who could say?

 

Artemisia vulgaris

Roker Pier, Sunderland

November

 

 

Tagged , , , , , ,