Tag Archives: reading

YOU ARE HER(E)

Next week on Thursday 4th November I’ll be joining fellow-Northumbrian poets Katrina Porteous and Anne Ryland for an online reading dedicated to the spirit of place. It’s a free event, hosted by Northumberland Libraries, 7 – 8 pm – everyone is welcome and you can register here.

Episodes 5 & 6 of In Our Element are available now – Air and Wood. Do listen in and if you like what you hear, please spread the word. Apparently that’s how podcasts tend to find their audience – through word of mouth. We made the series to air in the run-up to COP26 but the scope of all our conversations extends well beyond whatever happens in Glasgow over the coming weeks.

The Air and Wood episodes include poetry from Colette Bryce and Pascale Petit and a tour of a wind farm with wind engineer Anabel Gammidge and a spot of wood-bathing with woodland conservationist Sian Atkinson. That was my favourite part of making these podcasts – when we were able to record outdoors and actually be in the elements we were talking about.

As we move through the fire of Samhain into the dark months before the shortest day, take good care and send your thoughts to all those gathering in Glasgow intent on calling a halt to climate recklessness and working towards regeneration and justice. Like ecologist Timothy Morton, we might be aware of ‘pessimism of the intellect’, but we can act from ‘optimism of the will’.

May all beings be well.

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On Fire!

Episode 4 – Fire of In Our Element – a poet’s inquiry into climate change is now available. This one includes a wonderful poem called ‘The Gate’ from the Welsh language poet Menna Elfyn about a shockingly recent mining disaster and the memories and associations it evoked for her. I really enjoyed my conversation with Menna, a longtime activist and force to be reckoned with.

We also hear from local folk band the Brothers Gillespie. They came up to my place one Sunday this summer to play and sing in my garden – attracting the vocal attention and admiration of the field full of cows. ‘Tina’s Song’ tells the story of Tina Rothery, co-founder of the Nanas, a campaigning group of concerned grandmothers protesting against fracking in Preston New Road, Lancashire several years ago. She was taken to court and fined £55,000 by mining firm Cuadrilla for simply taking part in a peaceful protest and finally found not culpable and released with no charge.

On November 21st The Brothers Gillespie and I will be back together for an event called Earthwords for Hexham Book Festival’s outreach programme. They’ll be singing some more of their beautiful songs rooted in the Northumbrian landscape and I’ll be reading some recent poems, inspired by a new relationship with my local patch during last year’s lockdown – work in progress from my Writing the Climate residency. You can find more details and book a ticket here.

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It’s been very exciting to see these podcasts rippling out after such a long period in production, broadcast by Resonance FM and several other community radio stations and also available on most podcast platforms. Each episode takes an element as a starting point to explore the complexity and challenges of this critical time: Earth, Water, Fire and Air; with, from the Chinese tradition, Wood and Metal; as well as Space and Consciousness, elements that feature in some Buddhist practices.  Investigating these help all the contributors – activists, engineers, conservationists, academics, thinkers, poets and musicians from around the world – find common ground to deal with difficult subjects arising from the Climate Crisis.

We’ve already heard from organic gardener and compost expert Andrew Davenport in the Earth Episode, alongside US poet Jorie Graham and Canadian Climate Justice professor Deborah McGregor. And in the Water episode Nancy Campbell, Charmaine Papertalk Green and Suzanne Dhaliwal. All the contributors pop back in later episodes with more to add on some other element. I’ll say more about the contributors to Air, Wood, Metal, Space and Consciousness – and our final episode Regeneration – later. This is still all quite fresh and certainly a very new medium for me so I’m still assimilating and figuring out what this many-headed creature is that I’ve made, working with the talented audio producer Philippa Geering of Sonderbug Productions in York.

As protest or praise, music is almost another element in itself, with contributions not just from the Brothers Gillespie but also from Joshua Green, with his specially commissioned signature song and a gorgeous setting of my cuckoo poem (look out for it in Episode 9 – Consciousness), as well as Una and Freya, two small girls who added their own big voices to the Fridays for the Future School Climate Strike in September 2019.

Talking with all these thoughtful and engaged people left me with a sense of faith in humanity’s capacity to transform our current suffering into a more sustainable future. It’s important to remember there is great power in what we make together – active hope – whether that’s an engineering system, a protest against so-called development or a song or a poem dedicated to a bird or a tree – or even a United Nations summit.

Do listen in – and let me know in the comments below what you think, what these poems, thoughts and music stir in you.

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First Song / Last Call

Posting a few things here related to our Writing the Climate Dawn Chorus collective sound poem project as the closing date for submission’s creeping up. You have until 2nd August to send in your 30 seconds of poetry, thoughts, dreams and songs for the finished soundscape that will air as part of this year’s Durham Book Festival.

It would be wonderful to hear from as many people as possible – imagining what words you’d want to land at the beginning of a new day or even a new world. Every day we get a chance to start again. What would it feel like if we brought that freshness and creativity to how we’re approaching the climate crisis? Every day realigning ourselves with a vision of a fair sustainable future and renewing our efforts to make it possible, in our individual lives and within our local and global communities.

I hope that our Dawn Chorus will catch a sense of wonder and appreciation and remind us of what’s at stake if we ignore carbon emissions continuing to rise and the all too evident dangers of escalating temperatures across the globe. Last week in the UK the Met Office issued its first ever extreme heat warning. This is a tipping point. so our Dawn Chorus is also an alarm call – a cry for protection and an unshakeable commitment to mitigation. Singing ourselves awake includes the whole spectrum of feelings and responses. Everyone’s voice is welcome – all languages and accents.

You can find details of how to enter here

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An essay of mine that touches on the idea of the Dawn Chorus and poetry more generally is now available online as part of David O’Hanlon-Alexandra’s wonderful NCLA project New Defences of Poetry. Do have a read – the whole site is full of delights and provocations.

Another place for delight is a new book edited by Mike Collier, Bennett Hogg and John Strachan – Songs of Place and Time, Birdsong and the Dawn Chorus in Natural History and the Arts. It’s ‘a celebration of what it is to be alive and share our much more-than-human world with birds in their sheer exuberance of life at the dawn of day’.

This from the introduction:

Most of us accept that the climate emergency threatens the survival of our planet. One of the things we can do to raise awareness of this existential threat is to rekindle our imagination about what we have and what we stand to lose. we have the ability to imagine, and to develop a new narrative; it’s what we’re good at; good at imagining; good at telling stories. It’s our strength as creative people; and this is one way we may also discover our power to act.

The creative people in Songs of Place and Time include artists, writers, poets, academics, sound recordists, musicians and photographers. I’m very happy to be among their company. The assembled chorus of voices sings sweetly and gives rise to a sense of practical hope.

…an onomatopoeia of feathered things

that Emily Dickinson, dressed all in white,

heard as ‘Hope’, vowel and plosive, a gesture,

a giving of lips and throat –

how we learned

to talk after all, by imitating

these birds, borrowing their beauty, bringing

our very selves to light. And so we hear the compass

of our own hearts – tinsel and workshop, too many

messes to count; according to Emily, find ecstasy

in life, the mere sense of living joy enough –

turning it up, turning it up, us all, ratchet and caw.

(from Dawn Chorus, written for Compass, installation with sound artist Chris Watson at Cheeseburn, 2015)

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For Your Diary…

A couple of events I’m involved in coming up that folk might be interested in attending – and news of a big 25% discount at Arc that’s worth a look.  I like the idea of Reading the Flowers wrapped up under people’s Christmas trees.  Here’s a link.

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Then, this coming Monday – from the NCLA website…

ncenla_279273Flambard Poetry Prize Announcement 

Join us for the announcement of the 2016 Flambard Poetry Prize, followed by readings from this year’s judges Linda France and Andrew Forster.

Linda France has published eight poetry collections since 1992, including The Gentleness of the Very Tall (a Poetry Book Society Recommendation), The Toast of the Kit Cat Club, book of days and, her most recent, Reading the Flowers (Arc 2016). She also edited the ground-breaking anthology Sixty Women Poets (Bloodaxe 1993). Her poem ‘Bernard and Cerinthe’ won First Prize in the 2013 National Poetry Competition. Linda’s work has appeared in anthologies, magazines, newspapers, on radio and TV, in public art installations and other collaborations with visual and sound artists.  

Andrew Forster published two collections of poetry with Flambard Press: ‘Fear of Thunder’ (2007) and ‘Territory’ (2010), and, more recently, ‘Homecoming’ (2014), with Smith Doorstop. ‘Fear of Thunder’ was shortlisted for the 2008 Forward Prize for Best First Collection and two poems from it, ‘Horse Whisperer’ and ‘Brothers’, appeared in the AQA GCSE syllabus. ‘Homecoming’ was shortlisted for the Lakeland Book of the Year in 2015 and was a ‘Read Regional’ title for 2016. He has read his work at events and festivals throughout the UK and Europe, and as part of the annual ‘Poetry Live’ series, alongside Carol Ann Duffy, Simon Armitage and John Agard.

This event is free – all very welcome.

Location: Newcastle University, Percy Building, G.05

Time/Date: 28th November 2016, 18:30 – 20:00

Andrew and I enjoyed judging this valuable competition for poets without a full collection to their name (yet) and look forward to announcing the winners and hearing them read with us.

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And down in Leeds, in a week or so…

Public Poetry Please!

leeua_1982-009_02Quentin Bell’s The Dreamer

Date: Wednesday 7 Dec 2016

Location: The Stanley & Audrey Burton Gallery

Time: 17:00 – 18:30

Join us for an exciting evening with award-winning poets who’ve participated in the Yorkshire Year of the Textile and responded to items from our collections.

Public Poetry Please! will be an exciting evening with the poets who’ve participated in the Yorkshire Year of the Textile and responded creatively to items relating to Yorkshire’s textile heritage.

Public poetry has been a key theme for the year-long celebration, and this special event celebrates new commissions. The evening will include readings by Malika Booker, Douglas Caster Cultural Fellow at the University of Leeds; Linda France, Creative Writing Fellow at the School of English; Helen Mort, former Douglas Caster Cultural Fellow at Leeds and  Lecturer in Creative Writing (Poetry) at Manchester Writing School; Rommi Smith, Hedgebrook Fellow and Kate Fox, stand-up poet, writer and comedian.

Highlights from the programme include a reading of Malika Booker’s poem ‘There is an etiquette to everything’, which draws inspiration from John Russell’s pastel portraits of the textile magnate, John Marshall and his wife Jane (now prominently displayed in the Gallery).  Helen Mort will read her new commission responding to Mitzi Cunliffe’s Man-Made Fibres, and her poem, ‘Texere’, which is incorporated into a newly-installed public art pavement response to the Man-Made Fibres sculpture by Sue Lawty. You can also hear Linda France’s response to William Gott’s Dyehouse Pattern Book, currently on display in the Treasures of the Brotherton Gallery.

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The evening also gives an opportunity to highlight the co-creation of poetry in our knit/lit workshops, where poets reflected on the role of textiles in daily life and encourages recollections by participants of the workshops.

The event will be chaired by Professor Ann Sumner, Head of Cultural Engagement.

This is a free event but spaces are limited so booking is essential.

Book your place here: https://publicpoetryplease.eventbrite.co.uk

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Austin Wright’s Limbo

Always a pleasure to read as an ensemble, particularly when there’s a shared theme – this should be a fascinating evening.

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Roses, English & Bulgarian

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I’ve just been sent a link to the video they made at the Reading Room in Sofia – including my poem Rose Tattoo…You can watch it here.

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